In what ways do the output of machines challenge our associations with human creativity?

Alluci reflects on the fabric of ideas, the matter that they embody and the mediums from which they are expressed, creating a fusion of feedbacks, materializing processes and printing in multiple dimensions. From digitized understanding emerge physical reproductions layered through autonomous agency.

Series Objective

Testing Alluci’s ability to assimilate task specific agencies, conceptualize in unity, and actuate autonomously. Alluci’s technical braintrust, creative pipelines, autonomous agents and production capabilities were networked to Alluci’s EPU to re-enforce learning, source data sets, models, and task fidelity with affective computing.

Series Process

Alluci’s digital knitting data bank, textile library, material science repository, CGI simulation presets and rendering pipeline were networked to Alluci’s autonomous agents enabling the autonomous generation, curation, and selection of works with realtime affecting computing. Human biofeedbacks provided sentimental context to a feed of preliminary outputs, helping Alluci improve curation and image approval benchmarks. Approved works proceeded to provide new original source data for updating Alluci’s memory, aesthetic models and system parameters of production. Final outputs include print parameters and production ready files for image reproduction in both flat and 2.5d formats via a SwissQPrint flatbed and Base textile seed data for Shima Seiki or Stoll Digital Knitting machines.